Neo-brutalism
Slabs, hard shadows and a sideways rail. Nothing is centred.
Templates
Switch templates in one click without losing anything you have written.
Slabs, hard shadows and a sideways rail. Nothing is centred.
Frosted sheets floating over drifting light, overlapping the work.
A magazine: masthead, feature spreads and a printed contents page.
Hairline frames, tracked capitals and a great deal of air.
Dark showreel chapters that slide over one another, in condensed italic capitals.
Split-screen hero, stories that stay pinned while pictures scroll, a staggered lookbook.
Huge gradient capitals, rounded media cards and a tilted accent band on black.
Photos, colour and copy on square tiles butted together, with no gaps.
Work and services on sideways rows that peek off the edge.
Every section a flat band of bold colour, with chunky rounded type.
Soft pastels, arched frames and an inset hero card with a frosted panel.
A timeline on paper: years in mono, a ruled spine, a sideways contact sheet.
One grotesk set very large, with work listed as rows that reveal their pictures.
Framed work on warm white walls, walked past sideways as you scroll down.
Italic didone on sand, with pictures and panels overlapping off the grid.
A spec sheet: ruled cells, labelled data and the work as a catalogue table.
A printed menu: cream paper, dotted leaders, round plates and ornamental rules.
A magazine cover: masthead over a full-bleed photo, cover lines, one hot accent.
Every template renders the same block vocabulary — a hero is a hero, a photo wall is a photo wall — and each one supplies its own typography and spacing for those blocks. Nothing about your content is stored per template, so there is no migration to perform and nothing to lose. If the new one is wrong, switch back.